Custom wedding veils in Sydney

Veils designed with your gown and made by hand in our Dulwich Hill atelier, from a soft shoulder-length tulle to a six-metre cathedral veil beaded with the gown’s own lace.

Lauren in her ball gown with a long tulle veil flowing behind her

By Catherine Colubriale, couturier, designing in Sydney for more than 30 years

We make custom wedding veils in our Dulwich Hill atelier, designed to match the gown they are worn with: the same lace on the edge, the same beading, the same white. Lengths run from shoulder to cathedral, in plain or embroidered tulle, and every veil is quoted individually.

Which veil length should I choose?

Length is the first decision, because it changes the whole silhouette. Measurements below are approximate and taken from the crown of the head; your veil is cut to your height and where you place the comb.

LengthFalls toApprox. lengthSuits
ShoulderJust past the shoulders50 to 60 cmShort or tea-length gowns, jumpsuits, a playful look
ElbowThe elbow or waist70 to 80 cmGowns with back or waist detail you want to show
FingertipThe fingertips, arms relaxed100 to 110 cmMost silhouettes; easy to wear all day
FloorJust touching the floorabout 180 cmSheath and A-line gowns without a long train
ChapelA short pool past the hemabout 230 to 260 cmGowns with a sweep or chapel train
CathedralWell past the trainabout 3 metres or moreChurch weddings, ball gowns and long trains

Some brides go further. Alexandra wore a six-metre veil detailed with the same 3D flowers and beading as her A-line lace gown, and Samantha’s six-metre veil was hand-beaded in the same floral lace as her cathedral-train skirt. A veil that long is a church and photographs veil: plan for someone to help carry and arrange it, and for it to come off or be shortened before the reception.

What tulle is a veil made from?

Tulle is a fine net, and the type changes how a veil falls and photographs.

  • Silk tulle is the softest and most fluid. It drapes close to the body, has a gentle sheen and is the traditional couture choice.
  • Soft bridal tulle in nylon or polyester is light and less fragile, and comes in very soft finishes that drape well. It holds a little more shape than silk.
  • Stiffer net stands away from the head and gives volume. It suits a short, structured veil more than a long one.
  • Spotted or patterned tulle adds texture without lace. Katie wore a veil of soft ivory spotted tulle with her bridal jumpsuit.

Colour matters as much as type. Whites vary from bright to ivory to champagne, and a veil should be matched against your gown in daylight, which is easiest when both are made in the same atelier.

Embroidered, lace-edged or plain?

StyleWhat it isBest with
Plain, cut edgeTulle with a raw cut edge, which tulle allows because it does not frayDetailed gowns, where the veil should not compete
Fine finished edgeA narrow rolled or ribbon edgeClean silk gowns that want a crisp outline
Lace edgeLace motifs or a lace border sewn by hand along the edgeLace gowns, using the same lace
Embroidered or scatteredLace motifs, flowers or beading placed across the tulleBrides who want the veil to be a feature, especially in the church

A well-placed lace motif is cut from the lace by hand and sewn on so it lies flat and looks part of the tulle. With long veils, the heaviest detail is usually placed low, near the hem and the train, so it falls well and catches the light when you walk.

How is a veil matched to the gown?

When we make your gown and veil together, Catherine designs them as one. The veil picks up the gown’s lace, beading or flowers; its length is set against the train; and the comb is placed to suit your hairstyle. Lauren’s classic lace ball gown was finished with a veil, and Vanessa’s long-sleeved lace sheath with a long veil.

Bring your hairstylist’s plans to your fitting. A veil worn under a low bun sits differently to one placed at the crown, and the comb needs to be secure for the length you choose.

Veils are designed with your gown, as part of a bespoke commission. Every veil is quoted individually, depending on length, tulle and hand-work.

How do I wear and look after it?

  • Practise. Wear it at your final fitting and walk, turn and sit.
  • Plan the moment it comes off. Many brides wear a long veil for the ceremony and photos, then remove it for the reception.
  • Steam, never iron, and only on a low setting held away from the tulle.
  • Store it flat or loosely rolled in acid-free tissue, away from light and damp.

For more on caring for your gown and veil, see our guide to wedding dress care. To design your veil with your gown, book a consultation.

Questions

How much does a custom veil cost?

Every veil is quoted individually, because length, tulle and hand-work vary so much. We discuss it at your consultation.

Is the veil designed separately from the gown?

No. Your veil is designed with your gown, so the lace, beading and white are matched from the start.

How long is a cathedral veil?

Usually about three metres or more from the crown. Alexandra and Samantha both wore six-metre veils.

Will a long veil be heavy?

Tulle is very light, so the weight comes from lace and beading. Heavier detail is usually kept low, and the comb must be secure.

Should my veil be the same white as my gown?

It should match or sit slightly softer. A veil brighter than the gown can make the gown look yellow in photos.

A bride in her bespoke ruffled Catherine Colubriale gown on a staircase

Book a bespoke appointment

Your bespoke gown begins with a conversation in our Dulwich Hill atelier. Tell us a little about your occasion and we’ll be in touch to arrange a time.

Your private consultation is $150, credited in full to your gown. You’ll confirm it on the next step, and your details stay private.

Prefer to talk? Call +61 2 9922 4193 or text +61 417 681 217.

Book an appointment